COMPOSITION

Performances of his own works and conducting new music programs in various countries of Europe.

Member of the board of Aspecte Salzburg and ÖENM.

1995-2000 President of the Salzburg Composers’ Interest Group (IGKS).

Edited Friedrich Cerha’s opera BAAL for reduced orchestra on behalf of the composer and the Universal Edition Vienna.

Major works:

  • The Echoes of Dido’s cries, op. 12 for 4 ensemble groups (1990)
  • Época for 6 percussionists, op. 15 (1991)
  • Prometheus – music theater (full evening), op. 20 (1990-92), libr .: Christian Martin Fuchs
  • 3 vocal room installations: un’altra notte (text: Ungaretti); fiesta, epilogue to Orpheus (Niessner); Dickicht (Niessner), 1990-94
  • Blicke in eine Pastorale, op. 35, for symmetrical orchestra (1997)
  • Belétage, op. 38, for piano and orchestra (2004)
  • Ungaretti project since 1992: instrumental comments on un’altra notte as work in progress for different orchestrations, e.g. mi riconosco immagine passeggera, miraggio-morire
  • Pessoa project since 1993, i.a. alvor – farois – calmaria

Recording selection of compositions:

from: DICKICHT, speech sculpture about the war for 8 voices and trumpet, text by Wolfgang Niessner, op. 29, 1993/4. Vocal ensemble of the Mozarteum University, Gertraud Steinkogler-Wurzinger.
from: BELÉTAGE for piano and orchestra, op. 38, 2004. Per Rundberg, piano. Youth Philharmonic Salzburg, conductor: Elisabeth Fuchs.
from: PACIFIC ISCHLERBAHN BLUES for harmonica solo, op. 36/1, Maria Wolfsberger, harmonica. .

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